Wednesday, 27 May 2020

Myth & Politics Summer Seminar Series

Online seminar series call for papers
I will be taking part in the Myth & Politics Summar Seminar series organised by Swansea Classics, Ancient History & Egyptology. At 5pm, on the 22th June I will be presenting my talk on 'Feminist Myth-Busting: When ancient characters beceome feminist icons.' Relevant links will follow.


Saturday, 2 May 2020

Defining Goddess Spirituality

A tradition or an approach to spirituality?

'Lammas' Altar in Glastonbury Goddess Temple, August 2018
The Goddess Movement is a spiritually and politically motivated movement, seeking to re-value and re-empower people through the symbols of the Divine Feminine. It comprises many contemporary manifestations of Goddess-centred spirituality. Some Goddess devotees are broadly eclectic in their selection of religio-spiritual practices, whilst others adhere to certain traditions, such as Witchcraft or Druidry. In the early stages of its modern development, Goddess Spirituality's (GS) foremothers created models and traditions which have since been inherited. These mostly originate from interpretations of ancient sources and contemporary Pagan influences, especially from Wicca. The GS approach was acted as the thread, weaving these mixed traditions, beliefs, and practices together. The application of this approach marks one way that goddess worship in the Reclaiming Witchcraft tradition is different from goddess worship in Gardnerian Wicca.

Being Goddess-centre does not necessarily mean the exclusion of male deities or the exclusion of non-female adherents. It is true that for some, being Goddess-centred entails an exclusion of male Gods, and participation of non-female individuals; however this is not a required feature. Goddess-centred spirituality, or GS, emphasises a prioritisation or preference for female forms of the Divine and often indicates a spiritual approach which can be applied to numerous spiritual paths. As GS is more of an approach to spirituality, than its own consistent tradition, some devotees of Goddess/es will make use of it, whereas others may use alternative approaches. This thesis, however, focuses on those who do adhere to GS, with the understanding that GS offers its own approach for interpreting the past, which results in varied forms of historical reconstruction and contemporary innovation. 

GS's existence as a spiritual approach rather than a tradition is suggested by its lack of unified structures or ideas. The freedom for self-expression and personal autonomy is a part of its approach. This explains the lack of a unified term for adherents, for they come from various traditions.

I have identified five key features that outline the GS approach to spirituality:

Suggested Defining Features

1. Goddess-centred
The first clear defining feature of GS is that it is a female/Goddess-centred approach. Being female/Goddess-centred does not mean being female-Goddess exclusive; non-female adherents are equally valued, and Gods can also have a place in GS. This interaction is seen through the eyes of a feminist perspective, which may also be beneficial for non-female individuals who have been negatively impacted by patriarchal dominance. Many thealogians point out that Divinity's gender should not always to be taken literally or considered exclusively female or male; however, after a lengthy period of androcentric religion, it is now vital to emphasis deity as female and to re-value women in society. 

2. Feminis
One of the motivating origins of the Goddess Movement, was 2nd wave feminism and the Women's Liberation Movement of the 60-80's. Whilst the political climate is different today, feminism still plays an important role in the Goddess Movement, and GS. The plural of feminist perspectives must be emphasised. Feminism comprises a diverse array of differing perspectivess, values, and opinions, and so adherents of GS are just as diverse in their views. Some Goddess devotees will celebrate cultural feminism's emphasis on the celebrating female biology; others will feel liberated from the restrictions of biological determinism; other Goddess devotees will combine both or adhere to neither. GS comprises many feminisms, and cannot be reduced to a unified ideology in this regard, though the firm presence of Feminism remains core.

3. Re-envisioning the Past
GS re-envisions and reclaims a view of the past where women and goddesses held power. This is often based on a combination of archaeological evidence and contemporary creativity. Regardless of the debates surrounding historical authenticity in GS common claims, the past serves as a point of inspiration. As it is Goddess-centred many adherents look to the ancient past to reclaim ancient goddesses,* their myths,  rituals, their ability to serve as priest/esses, and to recreate temples inthe modern world.

*Many contemproary cultures still worship goddesses today; however, they are often cultures which traditionally do not adhere to feminist values required in GS; issues regarding cultural appropriation also arise. Despite this, some Goddesses, such as the Hindu goddess Kali, are nonetheless popular in GS today.

4. Individual-led Spirituality
Every adherent of GS is responsible for their own spiritual practice and connection with Goddess/esOrdained priest/esses can fasciliate this religio-spiritual practices and opportunities for 'connection' but it is ultimately up to the individual. Personal gnosis is priortised as more important than that which can be copied from a book, or dictated to by historical references (though these sources can be helpful too).

5. Personal Empowerment & Self-Actualisation
A key feature of GS as an approach is that it has a purpose, seeking to question androcentric spirituality, empower adherents, encourage self-development, support healing, and ultimately change the world. It is not primarily focused on offering up cult worship for the appeasement of deity; instead, deity is seen to be within us all, and therefore willing to offer support for the individual's growth and healing. By healing ourselves, it is believed, we can better heal the world around us.


Here is an example of how GS functions as an approach: a modern devotee of the goddess Isis, who considers themselves an eclectic Hellenic Pagan, may choose to create a group ritual inspired by the Graeco-Roman festival of the Isidis Navigium. Taking inspiration from the past, the ritual consists of priest/esses leading a procession to the seashore, to the accompaniment of chanting and shaking sistrum rattles, and culminating in giving offerings and setting model boats out onto the waves.

Through a GS approach, the ritual can be understood as follows:

1. The ritual is Goddess-centred in its dedication to Isis.
2. The modern inclusion of a female divinity, and active role of female priestesses could be viewed as a feminist statement.
3. This ritual is inspired from the past and re-envisioned for a modern context. The public worship of this goddess and performance of this ritual were previously supressed and forbidden, but are now being reclaimed once more.
4. The ritual is not engaged in just to fulfil a sense of obligation or duty; the participants engage with it through their own will and hope to receive personal gnosis direct from the goddess Isis.
5. The ritual may result in feelings of empowerment felt by priestesses and participants, who are free to express their spirituality in this way and who may experience some form of self-development or emotional healing from the experience.
6. The fact that this unconventional ritual takes place on the beach in public may be seen as a political statement in itself; furthermore, the act of showing thanks to a goddess of the sea, reminds participants of its sacred value and their environmental responsibility. 

An individual participating in this ritual who does not adhere to the GS approach may not consider any of the above to be significant in their own practice. Instead their approach may be one emphasising reconstructionism, with the role of women or nature playing a less meaningful role, compared to ensuring historical authenticity, or focusing on worshipping the deity herself.
Dies Oiassonis: Festival Romano de Irun

Thesis Considerations

In the initial stages of my thesis I have attempted to search for practices related to the worship of ancient goddesses, such as contemporary rituals to Hekate, or altars dedicated to Aphrodite, and it has been challenging to identify whether or not the practitioner is using GS as their spiritual approach. I had intended to study GS as a tradition in itself, rather than alongside others; however, by understanding GS as an approach it is no longer possible to isolate it in this way. This presents a great challenge in identifying relevant primary sources; however, on the other hand, it presents an opportunity to observe how using a GS approach can affect the way adherents interpret the past - for they do so from a specific GS perspective, which singles them out from others, perhaps even from within their own traditions.

Friday, 24 April 2020

Research Designing



This thesis is unlike the kind of research I have undertaken during my BA and MA in Egyptology, where my primary sources were accessible through drawings and digitised photos of ancient iconography and material culture. Instead this thesis requires me to undergo desk-based study which involves not only digitised records, but also online correspondence with living people; in addition to this I will need to conduct field study meeting the people under study and experiencing ritual practice and pilgrimage with them. 

The interdisciplinary nature of the research, straddling the boundary between the ancient and the modern, requires a detailed research plan and a metholodological design. This week I am asking:
  1. What is the available primary information and where will I obtain it?
  2. How will I extract and interpret this information? 
  3. When will I do the above, according to my plan and timescale?
I will break down the thesis chapters, which I have always alotted research for into a timescale, identifying appropriate approaches, sources, and methods for each.

Saturday, 11 April 2020

Next Steps

Following on from the submission of my literature review I now enter a period of preparation for my Annual Progress Monitoring review. By November I will need to submit the following:
  1. Proposed Bibliography
  2. Thesis Plan
  3. Thesis Timescale
  4. Sample Chapter
Over the last week I have created an initial timescale and thesis plan, consisting of 6 chapters (including the introduction and conclusion). Though, at present, the main content is contained within four chapters I anticipate these to be large chapters with five sections each. The proposed Threads of my thesis as follows:

  1. Thread One: Context & Ethnogaphy - Contextualising Goddess Spirituality's history and present form
  2. Thread Two: Reception of Ancient Goddesses - Asking how Goddess devotees receive and interpret information regarding ancient cults
  3. Thread Three: Historical Reconstruction & Contemporary Innovation - Investigating what Goddess devotees do with the information their receive, in a religio-spiritual context
  4. Thread Four: Weaving the Threads Together - Analysing the so what? and why the above research is to be considered significant to scholars of the ancient world.
Always lots of colours involved!
I have begun drafting survey and interview questions with a goal to have these complete by 1st June. I have also started a primary source and suggested informants list. Though I won't be contacting informants until December, for Spring interviews, I need to ascertain who I will reach out to much sooner. My introductory chapter will likely be completed closer to the end of my third year, but I have started to fill that in with my present ideas as they come. This has helped me to confirm my initial aims and approaches.

In addition to developing my primary source list and editing participant questions, I now need to focus on my sample chapter. 

Seeing as each my my Threads invovle informant contributions, I was unsure how to produce a sample chapter before such research; however, I have decided to draw from my literature review to begin with Thread One, exploring the background of Goddess Spirituality and - space permitting - its present context. As it is a sample chapter the ethnogrpahic portion of this will be outlined for later elaboration.

Saturday, 4 April 2020

Initial Literature Review nearing completion

My initial literature review is due in on the 10th April and it is now almost complete. 


Around the 13th March I sent Ronald a sample bibliography in order to determine if there were any key sources I have missed. At this point there was still time to add them if necessary; however, I believe I have addressed the central ones - there are always more!

I also sent Genevieve a draft of Thread One to ascertain if I was on the right track. Her feedback was very positive, inspiring me to look at the waves of feminism in more detail. This will actually be really important as fourth wave feminism is key to the context of contemporary Goddess Spirituality today.

I have seperated my review into three threads of enquiry:

Thread One - Goddess Spirituality
1.1 Ethnographies
1.2 History & Politics
1.3 Summary

Thread Two - Interpretations & Engagement with the Ancient World
2.1 Scholarly Responses to Interpretations of Archaeology and Ancient History
2.2 Scholarly Responses to Re-interpreting Mythology
2.3 Scholarly Responsesto Engagement with Heritage Sites
2.4 Summary

Thread Three - Sources of Information
3.1 The Impact of Gimbutas
3.2 Bridging the Gap and Addressing Misinformation
3.3 Sumary

Conclusions
Primary Sources
Secondary Sources
Reviews & Responses

This process has prompted me to question the definitions and scope of my thesis. I have rested on the term 'Goddess Spirituality' rather than the 'neo-Pagan Goddess movement', in order to specific the religious aspect of goddess revival, and to avoid the term 'neo-Pagan' which many in the community do not identify with. It has been more challenging to label the adherents of this path themselves. I have therefore rested on 'Goddess Devotees' for the purpose of this review and have started a definitions document to refine as I progress, which I am sharing on this blog. By sharing this, readers will know what is meant by the terms I use and may also be able to provide further guidance on them.

Friday, 3 April 2020

Scholarship Awards Ceremony & PGR Welcome

I am very late in posting about this but I thought it was an important thing to record on this blog.

On 25th January the Doctoral College hosted a PGR welcome event where we were able to meet and mingle with other PGR students. This was a really nice welcome for me, as a distance student who otherwise wouldn't meet anyone. I know that it will also be difficult to truly feel a part of the University, whilst living 3 hours away and commuting once a month. This event made being a student at the University more real for me. It was also genuinely friendly, motivational, and fun!

Following straight on from this event was the schoalrship awards ceremony, during which students who had been awarded scholarships were acknowledged, and donors thanked. I confess to tearing up a one point... I am so grateful to have been given this opportunity for PhD research; in fact, I had withdrawn my application last year due to personal doubts and a lack of funds. Winning this scholarship was a last minute offer and I am very - very happy!

Saturday, 8 February 2020

Catching up on the Conversation: Gimbutas vindicated?

This week I have been catching up on the ongoing conversation, regarding the dichotomy between  the accuracy and the impact of Marija Gimbutas's work. Voices of the Sacred Feminine is a podcast hosted by Karen Tate, a well-known author and speaker within the Goddess movement. In this episode Karen invites scholars Carol Christ and Miriam Dexter to discuss Gimbutas's work, it's significance and its subsequent partial re-evaluation by Colin Renfrew.

The discussion can be heard by following the hyperlinked image below. The lecture by Renfrew, discussed in this podcast can be viewed here.



Monday, 6 January 2020

Want to help support my research?

My name is Olivia and I am a PhD candidate for the University of Bristol. I will be starting my research as of January 2020, researching European NeoPagan communities today, and how they are interacting with Mediterranean archaeological remains in order to reconstruct and innovate ancient religious ideas for their own spiritual practices. I am interested in how these communities and academia can work together to promote contemporary engagement with the study of the ancient world, in order to support the preservation of archaeological remains and knowledge for posterity.

If this is something that interest you, then great!

As well as taking a student loan to cover tuition and working part time to feed myself, paying for PhD research is always a tricky task!

I am therefore raising money to help fund my field research. I will need to go out and meet with NeoPagans, both within the UK and in Europe. I need to interview people, witness their pilgrimages, and see their temples (both ancient and modern). This is a vital part of my research and the ability to travel is something which is not covered by my loan!

So if you are indeed interested in the project, please consider helping me out here, or getting in touch through the links below. I welcome correspondence from people asking questions and providing insights!



**I have run a gofundme campaign before where we raised around £600 to go towards my postgraduate study. THANK YOU! £300 of this has gone on a laptop to conduct research on as I had no other (and is only to be used for that purpose). I still have the remaining £300 ready to put towards my research, as promised. This second campaign is a continuation from that.

You can follow the project through these links:
https://neopaganmediterranean.blogspot.com/
https://www.facebook.com/oliviakinsman.bristol/

PhD Start Date

I am due to commence PhD study from the 27th January 2020 and will be conducting research under the supervision of Professor Ronald Hutton and Dr. Genevieve Lively at the University of Bristol.

This blog and my Facebook page are here to share my progress with the project, to ask questions and to interact with interest communities and people.

Sunday, 7 October 2018

Academia & the Goddess Movement

As an academic it is important for me to know, for knowledge's sake, what practices and beliefs are authentic to the past and which ones are modern developments. Those involved with the NeoPagan Goddess movement often rely on research regarding ancient religions that interest them, in an attempt to imitate them as authentically as possible. Others may take note of information, from both academic and popular sources, and redirect it for their own interepretations and uses, without much focus on historical authenticity or active debates. The purpose of this thesis is not to analyse which of these approaches is the more valid or spiritually fulfilling; instead it aims to identify the relationship between followers of the Goddess cults and academic research, both in ideology and practice. This will highlight the impact that this relationship has had on contemporary western perceptions of the ancient Mediterraean.

Tuesday, 25 September 2018

Contemporary Goddess Cults - Titles


Historical reconstructionism and the contemporary innovation of ancient Mediterranean religion in the Western NeoPagan Goddess Movement.

The NeoPagan Goddess movement and its relationship between historical reconstructionism and contemporary innovation regarding ancient Mediterraean Goddess cults and archaeology.

The modern interpretation and revival of ancient Mediterranean Goddess cults in the Western world.

The impact of archaeology and scholarly research on the modern manifestation of Goddess cults inspired from the ancient Mediterraean. 

The relationship between the archaeology and research of the ancient Mediterranean, and the modern NeoPagan Goddess movement in the west.  

The NeoPagan Goddess movement in the western world* and its relationship with the field of archaeology and the interpretation of ancient Mediterranean religion/religion in the ancient world.**



*What cultural groups will I be focusing on specifically? The UK/ US / Western Europe / Mediterranean?
**Initially planning to study Mediterranean Goddess cults - which in itself constitutes many countries. If I am focusing on the interaction with academia though then there may be space to open this up to other cults from Western Europe?



I am particularly interested in how the old meets the new. I have found that modern worshippers/practitioners/devotees/clergy often find value in the perceived antiquity of their spiritual path. I am interested in identifying the authentic and the contemporary, with it in mind that both could be valid and fulfilling. I also question why these people are called to practice/worship something antique in the first place, and what relevance they find in their modern lives.

Questions: 
    1. To what extent are these cults being revived or re-interpreted today?
    2. Why are these ancient, foreign cults being revived and interpreted today?
    3. What is the impact of this revival on literature, politics and social identity?

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