Round 1: https://forms.office.com/r/s3acd2MvvJ
Round 2: https://forms.office.com/r/wHqrjKRn35
Round 3: https://forms.office.com/r/90jCVUTKMn
PhD research into the revival of ancient Mediterranean & Egyptian goddesses in 21st century UK-US Goddess Spirituality.
I am absolutely thrilled to share the cover for the forthcoming volume, Women in Classical Video Games, edited by Jane Draycott and Kate Cook (published by Bloomsbury Classical Studies & Archaeology).
Every chapter sounds fascinating to me and I cannot wait to read through! It is also where my debut (scholarly) publication will appear, in a chapter entitled: 'Opening Pandora's Box: Aphrodite as the representation of women's sexuality in God of War III'. Once published, I will share details for ordering the book.
A few months back I reluctantly decided to remove my Sekhmet chapter from the main thesis, owing to word count, resigning myself to publish it separately. However, this week my partner and fellow PhD student Thomas Husøy sat down with me and realised that I had miscounted and had plenty of room remaining! (I don't know how I had got it so wrong...). So, Sekhmet is back in the thesis and I am now plotting the course of my final chapter: Engagement with Heritage & Scholars. The discussions on tensions and mutually beneficial relationships will be partly featured here and in the thesis conclusions.
My revised thesis plan is now thus:
Today I also officially sent off my final questionnaire for ethics review. Once it is accepted all 3 questionnaires will be available to participants, and I have created nice adverts for the occasion!
I have now submitted three/four thesis chapter drafts to my supervisors, with one more to write before I tackle my introduction and conclusion!
I have one more questionnaire to release for my upcoming section 5, where I am going to delve deeper into the sources of tension between Goddess devotees, scholars, and heritage professionals, and suggestions from each community for moving towards a more mutually beneficial relationship. This questionnaire will be focused on devotee engagement with heritage sites and museums.
My previous two questionnaires will remain open until the start of my final editing process (expected January 2023), so please do continue sharing them!
So far I have had the privilege to interview 21 devotees through video call and email, and have had around 200 questionnaire responses. I still welcome more interviewees, as well as photographic submissions of altars and GS material culture.
Isis at Marathon, Greece |
In other news, I have just returned from a week in Greece, spent with my partner exploring as many heritage sites and museums as we could! I will endeavour to share some of my highlights on this blog in due course - especially those relating to Greek goddesses.
I have also signed for a training course this November, focused on Digital Heritage, which I am sure will be of benefit to my ethnographic research, as well as future career prospects.
For now, onto the next chapter!
You can also request a posted hard copy or a digital download by emailing me at: hg19310@bristol.ac.uk .
Modern altar featuring a replica figurine of a statue of Isis found in Pompeii |
The time has come for Round 2 of my thesis research on Anglo-American Goddess Spirituality in the 21st Century! This time it focuses on the modern veneration of APHRODITE, ASET-ISIS, and SEKHMET. You can respond to it through this link:
https://forms.office.com/r/wHqrjKRn35
Or you can also request a downloadable digital copy / a paper copy in the post by emailing me: hg19310@bristol.ac.uk
You can also still respond to the Round 1 questionnaire here (the more the merrier!).
To participate in this research, you should fulfil the following:
You are based in the UK or the US (regardless of your nationality), OR you frequently engage with a Goddess Spirituality community in these locations.
You identify with ‘Goddess Spirituality’
And your spiritual path involves the goddesses, Aphrodite (and Venus), Aset-Isis, or Sekhmet.
There are other ways to get involved with my research too! Check on this blog page.
This is just a quick message to say that I will be speaking for the Academic Conference part of the Pagan Federation's 50th Anniversary, on the 24th July 2021!
For information about the event please check here: https://www.paganfed.org/50th-anniversary-celebrations/
Event trailer
On Wednesday 13th January 2021 I underwent my Annual Progress Monitoring (APM) interview to confirm that I was ready to move into my second year of research. Suffice it to say, I will be progressing! It was actually super nice to audibly talk about my research with the examiners, as for the last 10 months of my first year we've all been in lockdown, more or less.
I haven't visited Bristol since February. The last (and my first) scholarly talk I presented was for the Myths and Politics seminar series back in June. A PhD can often be a lonely experience, but during 2020 it was even more so. Added to this, is the practical limitation of only being able to access online resources and having no study space outside of our (currently very cold) house. BUT the university library has been very obliging with my eBook requests and I'm glad to be in a safe place with the company of my partner and our cat!
Moving forward, after a supervisory meeting today with Prof. Hutton I have better clarity on my thesis structure. My exploration of my thesis subject will now take the form of three case studies examining the ancient and modern veneration of Aphrodite, Aset-Isis, and Sekhmet. Fortunately I have already written a case study on Aphrodite in preparation for my APM, which I can use the bulk of the official chapter. I also have an article about devotees engaging with statues of Sekhmet in museums (pending acceptance) which can contribute to the chapter on her as well. So I feel that I am in a rather secure place.
My immediate attention will be directed towards my first chapter before the case studies, where I will lay out the context for the revival and innovation of these goddesses in 21st century Goddess Spirituality. Once I have done this I will construct my Round 2 questionnaire aimed towards devotees who revere Aphrodite, Aset-Isis, and Sekhmet - which will get me into the juicy part of this project!
I want to extend a huge thank you to those who responded to and shared my thesis' Round 1 Questionnaire! I received 113 responses that I could use and am delighted!
I thought it would be of interest for many questionnaire respondents to have a glance at some of the trends I found in the quantitative questionnaire data for Round 1. To avoid publishing my research prematurely I have offered non-statistical summaries below.
Since releasing my Round 1 Questionnaire, I have decided to alter my suggested characteristics defining 21st century Goddess Spirituality. To make it more interesting I have chosen to share these as a series of Instagram images (@teawathena), which I also post here:
Transcriptions:
IMAGE 1 - 'what is Goddess Spirituality? Five common features'
IMAGE 2 - 'Goddess Spirituality can be considered an approach to spirituality, rather than a unified tradition itself. Under the umbrella of Goddess Spirituality there are many different traditions and cultures. Adherents have various practices and use different labels for their spiritual identity (i.e. witch, priestess, druid, Goddess devotee etc.).'
IMAGE 3 - 'Though the approach is recognised as emerging from a culmination of western second-wave feminism, counter-culturalism, New Age philosophy, and neo-Paganisms during the 1970's, Goddess devotees maintain that they are reviving and innovating beliefs once held by ancient religions that revered Goddesses and nature. Goddess Spirituality in the 21st century is multi-generational and international, followed by people of all genders, backgrounds, and ethnicities.'
IMAGE 4 - '1. Goddess-centred. One of more Goddesses are the central focus. Some devotees revere Goddess/es exclusively, whilst others may revere male and androgynous Gods too (though with Goddess/es taking precedence). Goddess Spirituality contains a range of theisms, from monolatry to polytheism, as well as some devotees who prefer to view Goddesses as archetypes'
IMAGE 5 - '2. Feminist / Activist. Goddess Spirituality seeks an alternative to androcentric religions, cultures, and oppressive power-over systems. This manifests through various forms of feminism, as well as personal and/or social activism. Some devotees focus their efforts on personal empowerment, whilst others may combine this with political activism, such as environmentalism and advocating for human rights.'
IMAGE 6 - 'Inspired by the ancient world. Religio-spiritual beliefs and practices may take inspiration from prehistory and ancient religions involving Goddesses and female mythological figures, with a common interest in exploring herstory. Ancient ideas, beliefs, myths, and practices are revived and/or re-interpreted to suit the needs of devotees in the modern world.'
IMAGE 7 - '4. Non-dogmatic & self-led. As Goddess Spirituality is an approach to spirituality and not a religion or tradition itself, there is no dogma or prescribed beliefs and practices. Goddess devotees are encouraged to exercise their own agency in spiritual expression and to develop a relationship with divinity; as such, personal gnosis and experiences take priority.'
IMAGE 8 - 'Sacred Corporeality. The physical world, nature, bodies, and certain objects are believed to hold sacred meaning and be expressions of the divine. Spirituality is experiential and something that can be felt through the body. Goddess devotees believe the Earth to be sacred and that they themselves are a part of the divine. They often make pilgrimages to sacred sites and utilise sacred iconography and ceremonial tools.'
IMAGE 9 –‘The characteristics above relate to Goddess Spirituality as an approach, rather than reflect any specific traditions or groups who identify with it. As such, Goddess devotees and groups do not have to meet every one of these characteristics in order to identify with Goddess Spirituality. Some characteristics might overlap with other spiritual paths and traditions belonging to contemporary Paganism and alternative spirituality.'
IMAGE 10 - 'want to find out more and contribute your ideas? Follow Instagram @teawathena, Twitter @teawithathena, http://teawithathena.blogspot.com/